Schuler Presents THE STEEL BAR to ACC
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Metro to a 5-year contract. Metro said publicly that Janis was 18 and half-Cherokee; neither fact was true, and Metro seemed to know better enough about her status as a minor to have her contract supervised by a court. After a pair of silent 'horse operas' (Kit Carson, 1928; and The Overland Telegraph, 1929, with Tim McCoy), Janis won the romantic lead opposite hunky Ramon Novarro in a part-talkie, The Pagan (1929, directed by W.S. Van Dyke), notable for the fact that Janis (without a chaperone at 16), Novarro and the entire cast and crew went to Tahiti to make the film, back in the days when location shooting was extremely rare. The film is kind of a cult-hit among aficionados today, in part for Novarro's popular recording of "The Pagan Love Song," featured in the movie.
company returned to Hollywood at the end of 1930, however, the studio found that Gerson's footage was virtually unusable; worse yet, poor Janis found herself at the epicenter of a tabloid scandal.
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Martini's Founding Fathers: Original Intent DebatableI, too -- along with the estimable Ms. Cox -- happen to agree with Judge Bork's assessment of the silliness of such creations as the chocolate martini and the raspberry martini. Indeed, if we're throwing silly drinks around, I would immediately hurl an apple martini into that very same swill-bucket.
Eric Felten's essay on the dry martini is itself near-perfect ("Don't Forget the Vermouth," Leisure & Arts, Pursuits, Dec. 10). His allusion to constitutional jurisprudence is faulty, however, since neither in law nor martinis can we know the subjective "original intent" of the Founding Fathers. As to martinis, the intent may have been to ease man's passage through this vale of tears or, less admirably, to employ the tactic of "candy is dandy, but liquor is quicker."
What counts in mixology is the "original understanding" of the martini's essence by those who first consumed it. The essence remains unaltered but allows proportions to evolve as circumstances change. Mr. Felten's "near-perfect martini" is the same in principle as the "original-understanding martini" and therefore its legitimate descendant. Such latter-day travesties as the chocolate martini and the raspberry martini, on the other hand, are the work of activist bartenders.
Mr. Felten lapses into heresy only once. He prefers the olive to the lemon peel because the former is a "snack." Dropping a snack into a classic drink is like garnishing filet mignon with ketchup. The correct response when offered an olive is, "When I want a salad, I'll ask for it."
Robert H. Bork
The Hudson Institute
Washington
MARTINI DE LUXE or GIBSON DE LUXE
1 part Lillet Vermouth
7 parts imported English Gin
Stir well ["If you shake the martini, it becomes a Bradford," according to Embury] in a bar glass or Martini pitcher with large cubes of ice and pour into chilled cocktail glasses. Twist lemon peel over the top.
The distinction between the Martini and the Gibson is simple. The Martini is served with an olive, the Gibson with a small pickled cocktail onion.
If you can get olives stuffed with any kind of nuts, they make the perfect accompaniment to a Martini.
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